All the Songs

All the Songs

The Story Behind Every Beatles Release

Book - 2013
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Musical historians Phillippe Margotin and Jean-Michel Guesdon delve deep into the history and musical origins of every Beatles album, recounting the circumstances that led to the composition of each song, the recording process and the instruments used.
Publisher: New York : Black Dog & Leventhal Publishers, 2013
ISBN: 9781579129521
1579129528
Branch Call Number: 782.42166 GUESDON
Characteristics: 671 pages : illustrations, portraits (chiefly color) ; 28 cm

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" The guitar solo was, in all likelihood, played by John and not by George--in fact, on the CD LIVE AT THE BBC we can hear Ringo start the solo with a friendly ' All right, John!' The solo was doubled, as was Ringo's vocal ( which he struggled with.)" " Following the teachings of Maharishi Mahesh Yogi was not an easy task for John." " Ken Scott used an RCA 44-BX mic to record John's vocals, a microphone generally used for percussion." "The opening lines were inspired by Smokey Robinson's song I'VE BEEN GOOD TO YOU, which begins, LOOK WHAT YOU'VE DONE/ YOU MADE A FOOL OUT OF SOMEONE. John's opening lines were SEXY SADIE, WHAT HAVE YOU DONE?/ YOU MADE A FOOL OF EVERYONE." "SEXY SADIE was a great Beatles masterpiece, probably underestimated, but strikingly original." " In 1968, Geoff Emerick received a Grammy Award for Sgt. Pepper. He left the group a few months later, after recording CRY BABY CRY." " DON'T LET ME DOWN (side B of GET BACK) Single released, Great Britain, April 11, 1969/ #1 on April 23, 1969, for 6 weeks...United States: May5, 1969/ #1 on May 24, 1969, for 5 weeks." " Billy Preston is the only artist credited on a single along with the Beatles." "Spector finalized the stereo mix ( there was no mono ) of the album version on March 26, 1970.the end-foto is entitled: 'The Beatles in Hyde Park in London in May 1967' "The Shirelles' performance was better, with richer harmonies, and the arrangements of the Fab Four hardly matched those of Bacharach." " The stereo mix was on May 20 and the mono for REVOLVER on June6, with an edit of mixes 9and 10 done on June 8. Despite the opinion of the composer, it was an excellent song that made the guitars sound great." Found something on YOUTUBE: something really, really far out: a recording/ video of TOMORROW NEVER KNOWS, slowed down 800%. This must be what John wanted the song to sound like.

a
anfieldfan
Dec 29, 2014

This book is an absolute must for all Beatles' fans (like me). It gives the history and information about the recording of every Beatles' song. I think I may have to buy it!

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